Jun 4, 2008

─【Behind the Scene】Among Brothers

- written by Chen Hsin-Hsing, main character in El Salvador Journal



“We only knew, before, that Taiwan is the country who trained Roberto D’aubuisson, the dictator who murdered thousands of Salvadorians,” Gilberto said on the party before I left El Salvador, “To our surprise, after fighting together with Hsin-Hsing and his comrades, we found out that there are people like us in Taiwan, too.”
Honestly, this is one of the best compliments I have ever got in my life. I am proud of it.

The friendship I have with Gilberto, Joaquin, and other comrades-in-arm is wonderful. Even though we are divided by a big ocean and we speak different languages, there has been hardly any communication barrier when we discuss issues in our struggle. Labor movement served us well as our common language. There is indeed a kind of unshakable mutual trust among us. But we hardly ever express our feelings toward each other.

Firstly, we are a bunch of guys. Guys talk about serious stuff. Guys tell jokes. Guys don’t talk about touchy-feely things. And during my previous brief visits, sisters in the union all looked even stronger than the men. And then there is a certain reserve among Salvadorians which I can quickly relate to. They have been through a cruel civil war, we Taiwanese have been through decades of martial law. That might be why we understand each other very well.

Chao-ti’s plan for this documentary broke down that kind of reservation in our friendship. She wants to penetrate deep into our psyche with her camera. It took me three years, after our transnational struggle in 2002, to write up a long and somewhat readable academic article about all those complex issues involved. Still, all I could manage to convey and analyze in it are only actions, strategies, consequences, structural factors, and such. But what Chao-ti wants to capture are our feelings!

The evening before we visited Joaquin’s mother, we were hanging out in a bar. Joaquin seemed to have some second thoughts that were difficult for him to explain. Then Gilberto started to talk about his grandparents’ stories, how they eked out a living in the countryside, how they came to the city, etc. I suddenly realized that, this was the first time, after all those years and all those battles they fought side by side, that they told each other about their family history! Growing up under an authoritarian regime, I think I know why. And I felt privileged to be there at that moment, thanks to Chao-ti’s film!

May 30, 2008

─【El Salvador Journal】Story Outline



Can workers run their own factory? When a factory is in danger of closing down, what can the workers running it do?

In the Central American country of El Salvador, there is a company called Just Garments. Originally, it was owned by an enterprise from Tainan, Taiwan. In 2002, the Tainan company closed the factory without any warning, and the livelihood of the factory workers was in peril. After the workers protested to the downstream affiliate, Gap, the Tainan company did an about-face. It negotiated with the labor union, and together they established a garment factory managed and operated by the workers themselves. This factory quickly came to the attention of people concerned with the issue of globalization, because throughout the world’s 1800 export processing zones, this was the only case in which a new plant was established through negotiations after the plant owners fled. The key person promoting this world first was Chen Hsin-Hsing, an associate professor at Taiwan’s Shih Hsin University.

In the spring of 2007, Just Garments met with unprecedented problems in operating. Chen Hsin-Hsing decided to go to El Salvador, to negotiate a strategy with his faraway friends, and to work by their side. He had only gotten off the airplane when his good friend and representative of the factory workers, Gilberto Garcia, told him that because the factory was behind in its rent, the landlord had locked the plant’s gates. The union leaders held a crucial meeting, discussing how to proceed. Would the factory close? What plans did the workers have?

This documentary’s production team traveled along with Chen Hsin-Hsing from Taiwan to El Salvador to film this story. From Chen Hsin-hsing’s journal, and from the 748 correspondences between him and Gilberto Garcia, we glimpse this friendship spanning the Pacific Ocean.

─【El Salvador Journal】Director’s Statement



When making a series of documentaries on the garment and shoe industries, it became extremely obvious to me that within the framework of globalized manufacturing, poor people tend to be squeezed ever further into the margins. The clearest examples are factories manufacturing products in the Third World. As I continued to film, a faint sense of disquiet surfaced in my mind. The march of globalization is unstoppable – on this earth, is there any hope that people might fight against the current and find a means to survive?

Following along this line of reasoning, I met Professor Chen Hsin-Hsing in 2006, and discussed visiting Just Garments in El Salvador – an apparel factory unique in the world – to see how they live. Several months later, at the end of 2006, Just Garment’s business became unstable, and I in turn began to feel uneasy in my heart. But I thought, at least I can film the workers sewing clothes in their factory!

At the time we were boarding our airplane, the landlord of Just Garments was locking the factory’s gates, and I had no choice but to throw away my original script, and make up a new film plan. Originally, I had intended to film how a group of people had built their dreams, but I found myself telling the story of how a dream was shattered. My feeling is, it is far more common for people to confront frustration than to achieve a dream. In this group of workers in Central America, I saw courage and strength in the face of defeat.

HO Chao-ti

─About the Director



Ho Chao-ti is a documentary film producer and director. For many years, her films have centered on marginal, non-mainstream subjects, including traditional ethnic music and hybrid contemporary culture. She has worked as a magazine editor-in-chief and as a newspaper and television journalist. Her films have been shortlisted at the Taiwan International Documentary Festival, the Taiwan International Ethnographic Film Festival, Women Make Waves Film Festival, South Taiwan Film & Video Festival, the Yilan Green International Film Festival, the Ho-Hai-Yan Music Film Festival and the Shanghai Mecooon Film Festival, and she has received the Golden Harvest Award of Excellence.

─Works by the Director

1. Producer and director, “The Gangster’s God,” documentary, 2006. Digital Betacam, 49 minutes. Language: Chinese. Filmed on behalf of Public Television Service.

2. Director, “Mouth of a Volcano,” documentary, part of the television series “Baseball in Taiwan – A Tale of a Hundred Years,” 2006. Digital Betacam, 49 minutes. Language: Chinese. Filmed on behalf of Public Television Service.

3. Director, “Cockroach Confidential,” documentary, 2005. Digital Betacam, 47 minutes. Filmed on behalf of National Geographic Channel International and broadcast in 27 languages in 163 countries throughout the world, with a total of 205 million viewers. Language: English.

4. Producer and director, “How Many Grams?” documentary, 2005. Digital Betacam, 30 minutes. Filmed on behalf of the Legal Aid Foundation, Taiwan. Language: Chinese.

5. Producer and director, “Squeezebox on the Road,” documentary, 2003. Digital Video, 55 minutes. Languages: Chinese, English, Czech, Polish, Portuguese, Spanish. Filmed on behalf of Public Television Service.

6. Director, “County Road 184,” documentary, 2001. Betacam, 55 minutes. Languages: Mandarin, Hakka, English. Filmed on behalf of Public Television Service.

─【El Salvador Journal 】Personnel

Director: Ho Chao-ti
Producer: Ho Chao-ti
Regional Producer in El Salvador: Jeanne Rikkers
Planning Coordinator: Mao Yuan-cheng, Wan Pei-chyi
Planning Executive: Mao Yuan-cheng
Cinematographers: Cheng Tse-wen, Wang Ying-shun, Li Hsueh-chu
Editor: Huang Yi-ling
Production Assistant: Peng Chiao-ling
Illustrator: Peng Chiao-ling
Driver: Juan de Dios Menjivar
Music: Ricardo Canzio, Bruce Peng, Ho Chao-ti
Music Mixing: Li Yi-tsang
Mixing: Chen Guanyuu
Translation
Subtitle translation: Juan Uriburu, Ho Chao-ti, Brent Heinrich
On-site translation: Matthew Eisen, Carmen Argueta, Cristina Starr
Script review: Chen Hsin-Hsing